Genre Hybridization in the “Musradiyya” “The Lyricism of Love and Blood” by Azzedine Djelaoudji

Abstract

This research is to recognize one of the forms of experimentation in the play, by recognizing the term: "masradia" and the writing experience according to its giving to Algerian innovator Azzedine djelaoudji. Which aspires to give the stage a dynamic match The vitality of narrative in contemporary literature. And that the show will not remain on stage and has a wider audience . In this sense, the masradia of love and blood was an experimental model Races overlap and create a world. The old Arab narrative and contemporary narrative are combined in harmony that serves new issues.