Acting and challenges of the "I": line of flight drawn and walls of prohibition crossed in “Nulle part dans la maison de mon père” by Assia Djebar

Abstract

On the basis of a detailed and analytical reading, we will try to answer the
following questioning: How does the “I” draw the limits of the line of flight
of the author-narrator in “Nulle part dans la maison de mon père” of Assia
Djebar?
To discern this "line of flight", which we define by writing as a positive act
and a future act, we will try to delimit it through, in turn, the notion of the
doubling of the "I" and therefore of "me", and the notion of intertextuality.