The cultural heritage in the Algerian radio - Analysis of the content of the program "Our identity is our heritage" in the Algerian cultural radio.

Abstract

This article aims to shed light on the role radio plays in transferring experiences and societal gains, specifically the transfer of the Algerian cultural heritage. Through the programs broadcast by the Algerian Cultural Radio, this article also works on knowing the media templates that are relied upon in preparing the content of the “Our Identity is Our Heritage” program. It seeks to understand the nature of the content broadcast, of this program, and what are the representations, and to what extent this program defines cultural components, whether material or immaterial by knowing the tasks and functions of institutions active in the field of cultural heritage. This analytical article aims to diagnose the constraint facing the authorities in reviving, preserving and preserving cultural heritage. as well as determine the mechanisms used to define the tangible and intangible heritage of Algeria. The essay consists of two parts, a theoretical and an analytical part. Include the conceptual framework; Cultural heritage: concept, development, forms, the definition of cultural broadcasting and general outlines of the program network, for the analysis section, incorporate the study’s method and tool, and the introduction of the “Our Heritage is Our Identity” program. It also included the study sample and the identification of the two categories of form and content, their presentation and analysis. Let us conclude with a set of results, which is Algeria’s possession of material and immaterial heritage components that allow it to become a tourist destination at the internal and external levels, it improves its economic returns. The study also concluded that the “Our Heritage is Our Identity” program sheds light on all actors in the field of cultural heritage. The radio was also characterized by the objectivity of presenting the facts by diagnosing the obstacles facing the definition of cultural heritage in general, as well as urban monuments in particular, which is witnessing a lack of funding and the absence of a clear strategy for searching and excavating this material heritage.