The intersection of races and the dialogue of arts in the Arabic novel "Lolita's Fingers" by Wasini Al-Araj as a model

Abstract

This critical paper seeks to shed light on the theory of literary genres in the era of culturalhybridization, and at a time when the literary movement was characterized by thedynamism of epistemological changes that broke with traditional models and led to theproduction of new systemic knowledge, these transformations achieved in the theory ofliterary genres lead to the recognition of what the theory presented Literarytransformation from radical shifts in the context of responding to cultural shifts, whichprompted literary theory to search for new horizons that go beyond literature to newfields of knowledge and culture, so literature was in dialogue with the arts.
In this cultural juncture, which is based on overlapping, the study of literature is nolonger the same as it was before, but has become positioned within the framework of acultural project based on a shift from the authority of the center, and this is what was
expressed by the novel, which absorbed new issues promoted by modernity and Westernpostmodernism.