The other side of the dismantling of contemporary Algerian criticism is a reading of the Algerian cultural issue in Bakhti Ben Odeh's "Ringing modernity"

Abstract

 This study aims to address the strategy of dismantling, through the Algerian critic "Bakhti Ben Odeh" and the perceptions he put forward about: the ideas of ghosts and the criticism of identity, for example, aiming to search for Algerian cultural identity and highlight the cultural issue in general, adopting some sayings The dissociative approach borrowed its procedural tools from the French dismantling critic Jacques Dreda, trying to highlight the most important dissociative sayings with the aim of establishing an authentic monetary project without falling into generalization and exaggeration, based on its critical debate on what Western modernity has produced issues and controversies of postmodern thought in a kind of obvious excitement, and in his book The Ring of Modernity, many of the important critical issues it has raised reveal another facet of dismantling. In this context, we seek to say: What was the characteristic of Bakhti Bin Odeh's vision of dismantling? What is the purpose of his transition from dismantling language and text to dismantling thought, reason and society?