The Manifestations of Printing Space in the Algerian Short Story -Rahma Khattar and Sarah Al-Nims as a Model

Abstract

The typographical formation is one of the most prominent aspects of experimentation in contemporary Algerian fiction writing. Those writers have moved the traditional rules of story writing and moved to create standards adoption modern methods and technique that increase the aesthetics and artistry of this art. For this reason, this study sought to monitor some of these techniques like using the vertical and horizontal writing, ellipsis, the game of whiteness and punctuation under the name of typographical formation to reveal the visual aesthetic feature produced by this modern technology