The Place's Aesthetics In The Novel (regha Ghiwayat Elmelh Wa Elbaroud) By Mourad Ghazel

Abstract

 The place has always been related with the literary text, whether it was poetry or prose. It was an aesthetic element affecting its construction. The creator hardly builds an event or narrates an experience, real or imagined, without setting a spatial framework for it and a space in which events and ideas float. In modern narratives, the place is no longer just geographical signs and geometric shapes that move the imagination of the recipient, but rather it has become an important component of the narrative discourse, expressing sociological and topographical predicates that contributed to the formation of the cultural and intellectual awareness of the writer, which he tries to broadcast in his text in an aesthetic way. The novel (Regha) is a blatant text with an aesthetic structure that forces us to question it. Therefore, this study attempts to investigate the references and backgrounds that made the writer take the place as an aesthetic element to build his text, then how do we judge it by beauty or ugliness? What are the cultural loads behind these places that contributed to the formation of awareness among the writer and the recipient?