The Aesthetic Of Color Formation In Contemporary Maghreb Poetry 'mohamed Bennis' As A Model

Abstract

 The use of color in the meaning of Maghreb poetic discourse has its poetic connotations and its great importance to the recipient, because poetry grows in the arms of nature and colors, so color has a psychological relationship with man and the nature of his relations with those around him since ancient times, in addition to the distinctiveness of color on the aesthetic plastic side, and due to the celebration of contemporary poets in color similar to those who preceded them as a linguistic structure with intellectual and aesthetic dimensions, Moroccan poets turned to the poetic composition of colors in their respective poetic books; According to his vision of issues and subjects and his own psychological state, this study came to examine the dimensions of color employment and its aesthetics in contemporary Maghreb Arabic poetry, and chose to approach the modernist poet "Mohamed Bennis", which combines creativity and criticism, making his poetic texts full of manifestations of modernity.